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ironwood) wrote in
tushanshu_logs2014-12-07 07:23 pm
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Entry tags:
- %event,
- thread: cain (jacob kane),
- thread: china sorrows,
- thread: michaelangelo,
- thread: raine sage,
- thread: skulduggery pleasant,
- thread: solomon wreath,
- thread: valdis,
- † akito wanijima,
- † dante,
- † donatello (2003),
- † iroh,
- † jack frost,
- † ryou bakura,
- † sokka,
- † sonja,
- † tazendra,
- † thread: enjolras,
- † wan,
- † zelgadis greywords,
- † zuko
[EVENT] A NEW WORLD ORDER
Characters: ALL!
Date: December 8, 2015 (with some starters for the following weeks)
Location: Keeliai, the Midnight Hotel, others
Situation: The Foreigners have awakened.
Warnings/Rating: Add warnings as needed.
They've been in the Dreaming for so long that when they wake up their bodies feel more like automatons, alien and ill-fitting. They haven’t atrophied, thanks to Milyn, but they’re stiff and a little bedsore, and the solidity of the Life Plane is jarring. Here, the surroundings don’t move on a whim. Here the world is more stable, almost harsh and unyielding in spite of the homey surrounds.
It’s been a year, says the clock on the mantle and on the second floor. Says Milyn, too, when she’s able to stop hugging them long enough to speak.
Nothing much has changed in the Midnight Hotel. There are dishes out of place, objects belonging to either Milyn or Eva in evidence, the diorama exactly where it had been but now brightly-painted thanks to Milyn's boredom. Milyn and Eva took a room each, in the time the Foreigners were sleeping, though neither used them much.
Eva’s upstairs, Milyn will tell anyone who asks. In her room.
Eva hasn't left that room in three days. She hasn't spoken in three days, either, or walked, or moved, or breathed. Her effects are neatly arranged around her bed, and the sheet has been pulled up. There is heavy incense in the room and Milyn has managed to preserve the body enough to remove the risk of too much mess (and other things). In a way, that makes it worse: as though Eva is sleeping. It’s difficult to tell whether Milyn is in denial or whether spending three days with no one to talk to other than sleeping Foreigners and a corpse has had its influence.
LINKS
Dreaming log | Foreigner's Awakening (Hotel) | Milyn’s Relief | Exploring Keeliai | Old & New Faces (Canon Updates/New Arrivals) | OOC: State of the Shell
Date: December 8, 2015 (with some starters for the following weeks)
Location: Keeliai, the Midnight Hotel, others
Situation: The Foreigners have awakened.
Warnings/Rating: Add warnings as needed.
They've been in the Dreaming for so long that when they wake up their bodies feel more like automatons, alien and ill-fitting. They haven’t atrophied, thanks to Milyn, but they’re stiff and a little bedsore, and the solidity of the Life Plane is jarring. Here, the surroundings don’t move on a whim. Here the world is more stable, almost harsh and unyielding in spite of the homey surrounds.
It’s been a year, says the clock on the mantle and on the second floor. Says Milyn, too, when she’s able to stop hugging them long enough to speak.
Nothing much has changed in the Midnight Hotel. There are dishes out of place, objects belonging to either Milyn or Eva in evidence, the diorama exactly where it had been but now brightly-painted thanks to Milyn's boredom. Milyn and Eva took a room each, in the time the Foreigners were sleeping, though neither used them much.
Eva’s upstairs, Milyn will tell anyone who asks. In her room.
Eva hasn't left that room in three days. She hasn't spoken in three days, either, or walked, or moved, or breathed. Her effects are neatly arranged around her bed, and the sheet has been pulled up. There is heavy incense in the room and Milyn has managed to preserve the body enough to remove the risk of too much mess (and other things). In a way, that makes it worse: as though Eva is sleeping. It’s difficult to tell whether Milyn is in denial or whether spending three days with no one to talk to other than sleeping Foreigners and a corpse has had its influence.
LINKS
Dreaming log | Foreigner's Awakening (Hotel) | Milyn’s Relief | Exploring Keeliai | Old & New Faces (Canon Updates/New Arrivals) | OOC: State of the Shell
Arrival: OPEN
Ugh...
[The moan goes unnoticed by whatever it is nosing his hair and breathing on him, and slowly, the last several hours find themselves rushing over Arno and he groans, raising a hand to slap it away when a heavy weight settled on his ring finger takes him a little by surprise.]
Thought they took everything.
[That's muttered, at best, until he opens his eyes, glancing at his hand, which bears, not the ring of his order after all, but an unfamiliar ring, its blood-red stone darker than anything he's seen before. Garnet, maybe? But no, not an exact match for anything.]
I hate to ask it, [He's muttering to the possibly very smelly horse beside him] seeing as you aren't my type, but what is it we did last...
[The words cut off as Arno gets a good look at the animal in question, rather strange, and certainly no animal that comes from Earth. And that's when he is trying to stand, rather abruptly, managing to back his way out of the stall, no matter how bad the hangover is. At least, thankfully, enough, he's making his way out into what seems to be a city, with a lot of scowling people that he's also never seen.
Clearly it's time to find some higher ground, and, as odd as he feels, as much as the ground's shifting under him, he does get a foothold on an abandoned window, pulling himself up using that and a few others, and then makes his way across, hood falling over his head as he moves through what looks to be a town, stopping when he sees what seem to be a few more humans walking around, and then, when he's sure that it will be safe, he's taking a quick leap off of the roof, quite confident in his ability to tuck, and roll and not get hurt.
Fortunately, he's managing fairly well, although he'd not anticipated sprawling at the feet of someone passing by. Straightening, or trying to and smiling, he staggers to his feet, the hangover taking control at first, when he finds he can't make it on his own. Well, time to turn on the charm there, right?]
Bonjour, [ he greets, hand flailing a bit pathetically.]
Can someone tell me what the hell is going on?
it's 3:30 am and I'm not sure if this is a gag tag or not
Tony stops mid-stride to stare at the drunk guy staggering around in front of him. Totally deadpan, he replies:] Well, it looks to me like it's raining men. Hallelujah.
Re: it's 3:30 am and I'm not sure if this is a gag tag or not
[Arno quips back, even while he's struggling to keep his balance. His tone matches Tony's somewhat, even though the reference, of course, passes him by completely.]
Can I ask where it is I've managed to rain into, then? I did see demons [That must be what the other beings are. And he knows enough to know that is not a good sign.] but I'd have bet on good old fashioned fire and brimstone if we were in Hell. I am a traditionalist at heart that way.
take my keyboard away from me
[Yeah, he knows the guy is new. He'll take pity and give him the real rundown in a second. When this stops being funny.]
Re: take my keyboard away from me
[Arno could match Tony by way of expression and tone. This is one of those moments where it's better to rely on hiding in the vaguely funny moments because he's got the feeling the actual truth is going to be both complicated and incredibly screwed up. He'll take refuge where he can get it.]
And that is very nice of whoever's in charge. I'd assume that Satan delegates.
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[But on a more serious note:] I don't usually do the orientation course, honestly. How about I take you to the Hotel? People there can give you the full run-down and get you settled in. [He eyes the new arrival, considering his obviously inebriated and/or hungover state.] And maybe get you some coffee, if you want.
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Oh that sounds inconvenient. How can anyone steal the throne?
[Yeah, it probably did have to get there eventually, didn't it? Much as Arno likes this pretending everything is fine, it probably isn't the best idea, long term. And he's heard 'coffee' pretty clearly.]
Considering that I woke up here with a...whatever that was nosing my face, I have to say I'm sold on something better.
Arno Dorian. [He adds this, extending a hand.] And thank you. I could use it.
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[He shakes Arno's hand.] Tony Stark. Nice to meet you, Arno. Come on, I'll show you the Hotel.
[He starts walking, making conversation as they go.] So, where are you from?
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[It's a bright note to cover up everything else, smacking only the smallest bit of desperation.]
Strange animals falling in love with me is brand new territory, mind you, not everything in France is out for chasing lovers every chance they get.
Tony, then. I wish that we were meeting under other circumstances, but we take what we can get, no?
[He's following along, squinting blearily from time to time as he attempts to mark the way, a little tempted to launch into using his enhanced vision to remember things and people for later.]
Lately, I've been in Paris, though I grew up in Versailles.
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[Tony watches Arno out of the corner of his eye, making sure he doesn't drunkenly stumble and faceplant into the gutter or something. Raine will give him a Look if he brings a new arrival back to the hotel with a concussion.]
So, France, huh? What year? We've got another French guy here, Enj, he's from the eighteen... thirties, I think. I'm from New York, Earth, early twenty-first century.
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[Arno is taking a moment to be really pleased that he's so good with his hands, and making stealthy exists and entrances, along with the showier sort.]
Sounds a bit like my old Pharoh partners, there, although Victor and Hugo are so slow it usually doesn't matter very much if they can't manage to catch up to me. How are these ...kedan? when it comes to running?
[Arno certainly appreciates that help, and finds himself swaying a little while he tries to sidestep around a puddle that he's very narrowly avoided.]
Eurgh. Remind me not to drown my sorrows when even the universe decides it's time to let me go.
[At the mentions of the dates, he's raising an eyebrow. Oh, certainly, Arno might have lived to the date mentioned there, but Tony's own time period is almost shocking. Granted, Arno's trying to play that off a little as something else entirely.]
The twenty first century? Then you can tell me something else. What comes of the Great French Republic and our Revolution? 1793 has put me rather in the midst of that, and it might be nice to know whether or not we've won.
no subject
Tony snickers quietly at Arno's distress.] Noted. I guess I won't introduce you to the Waterbender, then. [Thanks to Extremis, Tony could drink Arno under the table and the guy would never know what hit him. But that would be mean. Funny, yes, but mean.]
If you want details on French history, you should talk to Enj. He's big on all that revolution stuff. But France is a democracy in my time, if that's all you want to know. So is a lot of the rest of the world. Except China. And Latveria. [Actually he doesn't know what Latveria is, now that Doom is gone.]
no subject
[That said, he's rather more fascinated than not.]
Shape shifters. But that seems to be a thing of... [Obscure rituals, perhaps, but even before that, a few ideas come to mind.] Of stories of the fantastic, not reality.
[Well, it would depend on the circumstances. There are times, Arno will admit, when all he wants is someone who can carry him home after too much drinking, but in terms of things like contests, no, not a good idea.]
Water...Bender? [He's raising an eyebrow here, but then forgetting that in the wake of the other information.]
That bears looking into, then, yes. Democracies...Republics. Then France, by some miracle, managed to get through. And so many more. I don't know what I was expecting but. There's a relief. Perhaps the temp...Perhaps those who would oppose free thought and will have mostly been laid to rest.
no subject
And, uh, I should warn you: those shapeshifters? There's a lot of stuff like that in this place. The shapeshifters are the locals, but there's a people like us, too - they call us foreigners. We're... Some of us are from Earth, just from different time periods, like you and me and Enj. And some foreigners are from Earth, but alternate versions, basically. Usually it's different because there's some kind of magic. And then there's foreigners who are from completely different planets or universes. All of us got pulled here, to this universe, to help the kedan fight a war.
Long story short? Don't take anything for granted, and don't assume anything's impossible. You spend your first couple weeks here thinking there's no way you could be surprised by anything else, and then finding something new to be surprised by.
no subject
[That's getting a long start and blink as far as explanations go. And then Tony mentions something else and he is pausing.]
Magic...could you give me a moment to check something?
[It's not magic that Arno does, exactly, but he does want to make sure of something, and turns for a moment, focusing on a kedan across the street while he makes use of his abilities here. His expression becomes more intent and serious as he stares across the street, a moment, watching said kedan carefully. When the world around him becomes grey in his mind's eye, Arno gets a better look at the kedan's yellow aura.]
Good. Not a problem yet. [He's muttering to himself before turning back to Tony.]
Well, that must have looked odd. It's not exactly magic but I can see things if I concentrate. I'd hoped it stuck around after all this. So, many universes, and this place does strange things, that's the gist of it?
no subject
Whatever magic you had back home sticks around, usually. What does that let you see? [Do you see dead people, Arno?] But yeah, that's the gist of it. Multiverse, weird people, weird magic, weird tech that looks like magic, aliens, a talking skeleton, humanoid turtles... You learn to just roll with it.
no subject
Well it is not EXACTLY magic. It...well is complicated, I suppose. But it allows me to see if anyone is coming around a corner or through a building, perhaps. AND I can usually tell if someone is going to create a problem later.
Skeletons and humaniod turtles. [He repeats that one, starring a little.]
ON a turtle. Oh this is going to get interesting.
no subject
[He looks thoughtful for a moment as he considers the implications of Arno's magic trick.] So, when you say people who are going to "create a problem" - does it show you the future, or... people's intent, I guess? Can you tell when somebody has it out for you?
no subject
[Arno returns the shrug, then blinks.]
Cool? I take it in something other than temperature?
[Sorry, Tony. You kind of brought that question on yourself.]
Intent, and in relation to me and my own safety. I couldn't tell you if anyone was looking to attack...say anyone over there.
[Arno jerks his head toward a group of a few kedan up ahead.]
But yes, if any of them were particularly hostile towards me personally...I could definitely tell.
no subject
Did you learn it, or were you born with it?
[If it can be learned, it would be a good thing for more of the foreigners to pick up. Tony knows that there are some cases where people can pick up magic that's not from their world (like how anybody can use Anton's sigils), and it would be a big asset if Murder-O-Vision was one of those cases.]
no subject
[Arno tries out the word, not giving it any particular new inflection, just adding it to his vocabulary. As for the question...]
That gets a little complicated, but the short answer is both. I had the ability, but I didn't know I did, or how to use it. Eagle Vision is a gift. But, and this is one of those really BIG buts, there are other ways to see what might be going on in someone's head. Those are things anyone can train in, but it takes a lot of skill to make that work. Still, it can be useful.
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How do you know if you have it? And there are other ways to do it? [Well, heck, if anybody can be a mind-reader, why isn't everyone? ...Actually that sounds kind of horrifying, now that he's thinking about it.]
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[He's maudlin and hungover. Arno's allowed to admit to wanting that much, he should think. And then he's turning back to the question instead. It's easier than thinking about leaving Elise at the height of insanity and a LOT easier than thinking about any possibile redemption he could maybe even HOPE to find in Paris. Maudlin makes him think about Bellec, and he snorts, considering, in a way, that the other assassin did contribute to Arno's understanding of his gifts a little.]
I never knew it wasn't something normal." Arno admits, "Honestly, it all felt pretty natural up until I ended up in the Bastille with the first assassin that I actually knew. Turns out, Bellec had tried to get arrested, often, so he could make sense of some hidden marks other assassins put there. I could see them pretty easily, didn't know they weren't something that others saw...
It got a little interesting, there. I'd GUESS to know, you'd need the potential, if I knew how anybody tried to work that out.
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[Then Tony chuckles, and says,] Okay, wait, how many assassins do you know? Is there a big French assassins club or something?
[Oh, Tony. You have no idea.]
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Time stops entirely? [That actually has Arno sighing with...well he's not sure yet.]
I DID leave a lot of shit behind me. [Which is followed by a snort at Tony's question.]
Chief among those, the Paris branch of our big assassin's... Well, we're more like a cult with world wide influence than a club by NOW.
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going for the gold in Denial and Rationalization
Re: going for the gold in Denial and Rationalization
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