Temujin "Gene" Khan (
wrathfulkhan) wrote in
tushanshu_logs2015-02-04 08:05 pm
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Entry tags:
there will be time to murder and create; closed
Characters: Gene Khan, Tony Stark; Milyn, possibly, later.
Date: February 4th
Location: Midnight Hotel; later, Milyn's clinic
Situation: Time to return home and face FULL-LIFE CONSEQUENCES. But first...
Warnings/Rating: Talk of long-since-committed murder. Definite sappy gay bullshit. Probably boys yelling. I don't know?
And time for all the works and days of hands
That lift and drop a question on your plate;
Time for you and time for me,
And time yet for a hundred indecisions,
And for a hundred visions and revisions,
Before the taking of a toast and tea.
When Tony returns to their shared room, he will find all of Gene's meager belongings carefully packed into a bag - as though he's preparing to leave, or is ready for being told to leave - and Gene himself sitting at the table, the rings on their string sitting before him, his head bowed in an attitude of contemplation.
"I need to talk to you," he says, looking up when Tony enters, his voice slightly hoarse, his face carefully blank.
Date: February 4th
Location: Midnight Hotel; later, Milyn's clinic
Situation: Time to return home and face FULL-LIFE CONSEQUENCES. But first...
Warnings/Rating: Talk of long-since-committed murder. Definite sappy gay bullshit. Probably boys yelling. I don't know?
And time for all the works and days of hands
That lift and drop a question on your plate;
Time for you and time for me,
And time yet for a hundred indecisions,
And for a hundred visions and revisions,
Before the taking of a toast and tea.
When Tony returns to their shared room, he will find all of Gene's meager belongings carefully packed into a bag - as though he's preparing to leave, or is ready for being told to leave - and Gene himself sitting at the table, the rings on their string sitting before him, his head bowed in an attitude of contemplation.
"I need to talk to you," he says, looking up when Tony enters, his voice slightly hoarse, his face carefully blank.
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Tony approaches the table slowly, his expression wary. What could Gene possibly be wanting to talk about? Last time he'd wanted to "talk," it had been to ask Tony to kill him if Malicant ever took control of him. Somehow Tony doesn't think that this talk is going to be about planning a date for Valentine's day.
He sees Gene's packed bag and his heart skips a beat. He'd thought things had been going so well...
"Okay." He hesitates, and then reluctantly asks, "What do you want to talk about?"
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"Before I start - before I start - I want you to know that this is an explanation of my behavior, not an excuse for it. And know that if you want me to go, when all is said and done, I will go." He won't be happy about it. But this has been gnawing at him since the Dreaming, and he needs it to come out now, before this lasts any longer.
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Gene, what did you do?
Tony hopes it's nothing. He hopes it's something insignificant that Gene's just gotten himself worked up over - he does that, sometimes, making a big deal out of things that Tony really doesn't mind. Tony just has to talk him down, and reassure him that he's not mad, or hurt. Maybe that's all this is, too. Maybe.
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He's aware that he does that, but this - this would be a more bitter pill for Tony to swallow. This is no minor transgression. This is a serious issue.
But he'd promised, he'd promised, he'd promised Tony, he'd said he was trying to be better. And this had happened before Tony had even come, before Gene had even gone back the first time, and he had been younger, so much younger than he was now, and so angry, and so scared.
He had been the boy Tony hated, and had good reason to hate.
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"What is it?"
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"Shortly after I first arrived, I met a woman named Bianca Reyes. She was a nurse, and ended up working at the new hospital when it was finally built. She had...taken me in, sort of. Not officially. But she made sure I was looked after. I was very protective of her for the favor." Not just for the favor - because she'd been a mother when he had none, when he had nobody, and been a better mother than his own, in truth, had ever been.
"She was...accosted by Bakura one evening, and brought it up on the network to warn the rest of us. Not too long after, the city was attacked by the cultists for the first time. None of us knew it then, of course. We didn't know what was happening. There was just chaos. Bombs were going off in the streets, in the cafes. At the hospital."
He swallows. "When I got up from being caught in one of the blasts, I wanted to be sure she was all right. So I put on the armor and went to the hospital, and I helped with the recovery efforts. But she wasn't there. I asked the crimson ring, and it gave me a message I didn't quite understand. It meant that she had disappeared, like people do here. I thought it meant she was dead. And I did exactly what you might think I did. I jumped to conclusions, and in my anger, in my grief, in my conviction that he was responsible, I took revenge on Bakura for a crime he didn't commit."
He would have thought that he wouldn't be able to keep meeting Tony's eyes, but here he is, his voice still calm and measured, his story clearly rehearsed over and over to do this right. "I killed him. In my blind rage, I killed him. I was soon found out to be the culprit by Skulduggery, who confronted me with Amelia. I did not deny what I had done. I confessed. They engineered a public apology, a chance for me to atone and for Bakura to demand what he would as payment. I offered my life; he seemed to think that was a little too transactional. It was resolved, and shortly afterwards, I went to see my future."
He takes another deep breath. He usually doesn't talk this much all in one burst, and it's oddly draining. "When I saw the consequences of what I had done back home, I realized better the wrong I had done here. I contacted Bakura, and apologized properly. Privately. We are...I wouldn't say 'even', but we seem to have come to an understanding. And Skul...he and I have a deal as well." A deal Gene had alluded to, back when they'd spoken about the possibility of needing to kill him; a deal where the detective would not hesitate to do what needed to be done if Gene ever misused the rings again.
"That's what I had to tell you. That's my last secret. I understand if you need to take some time to process what I just told you." He takes another breath, this one to steady himself. Then: "If you would prefer that I leave, temporarily or otherwise, I will do so."
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By the time Gene makes it to the crux of the issue, Tony's head is in his hands. He doesn't say anything while Gene's talking, and even after he's finished, it's a while before Tony speaks.
All he says is, "Dammit, Gene."
Hurt and anger and disappointment are roiling in his stomach, hot and fierce. He can't believe that Gene kept this from him for so long; that he did it in the first place, after all his talk of having changed—! Malicant was right, he'll never change, a small, hateful part of him thinks. Gene's betrayed him, again, and Tony comes to the bitter realization that he's not even surprised.
And yet, at the same time, he has to concede that all of this had happened before he arrived and Gene had really started turning himself around. There's also the fact that Bakura's doing pretty well, for a dead guy.
Strangely, the extenuating circumstances almost make Tony angrier. What does murder mean if it's not permanent and everyone knows it? Is it fair to condemn Gene for a crime he committed before he'd reformed, when the admission itself is proof that he's changed for the better? Does Tony have the right to make any judgements when the victim himself has already absolved Gene?
What does any of this mean? What is he supposed to do with Gene's confession?
He's not even sure if he's angry at Gene, or at the circumstances, for muddling everything up, for putting everything in a context he doesn't know how to parse, for smearing the familiar contrast of black and white into a million different shades of gray.
He's angry, but it's a formless, directionless anger. He's not sure he should take it out on Gene. He's not sure he wants to take it out on Gene. It burns like acid inside him, and only burns all the more for having no outlet, but he clamps down on it. Tony's trying to be better, too: he's trying not to lash out in thoughtless anger anymore. So, for now, he just stays silent.
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"I meant to tell you, in the Dreaming," he says, trying to keep his tone as measured as it had been, though the hoarseness is beginning to creep back into his voice. "I didn't. I was selfish." I was hurting, hurting too much, worried that if I mentioned it you'd revoke your absolution and leave me alone with the photograph and the sword again.
He hasn't asked for Tony's forgiveness - nor would he dare.
Restless nerves are burning down his bones, and he stands, the chair scraping against the floor sounding eerily loud in the utter silence. He picks up the bag he's packed, and leaves the rings on the table. It's like ripping a part of his soul out, to turn his back on what he'd fought for all his life, but he knows it must be done. He doesn't know what he'll do without them, but he survived Zhang with no rings, only his wits. He has to believe he can survive Keeliai that way, too.
"I will leave, if you want me to," he says again, quietly.
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"No— Don't... don't go." He's angry, but if Gene walks out now Tony's afraid it'll be for good, and... he doesn't think that's what he wants. He just needs some time to sort his thoughts out.
But that will have to wait. There's still one more piece of unfinished business to take care of.
"There's something I wanted to talk to you about, too."
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"What is it?" he asks, genuinely curious, but there's a bit of hesitance around it, like he's uncertain where he now stands with Tony. And speaking of standing, he has not yet sat back down. He's practically on his tiptoes, waiting for Tony to change his mind, to turn on him and spit get out, and he's not quite sure what to do here.
The uncertainty is the worst part, even worse than the confession. Either absolve or abjure him, but don't leave him agonizing over how the chips will fall.
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"You heard about what Milyn can do, right? She says she can show us our futures. What happens back home. Not send us back all the way, like they did before, but just our minds, I guess. Through the Dreaming."
He takes another deep, steadying breath and looks up at Gene. "I want to do it. I want to know what happens after the ship. I just... want to get it over with."
If anything, Gene's confession has only made him more determined. This has been hanging over his head for months, probably like this secret has been for Gene, and Tony's tired of it. All of it. If that was really Gene's "last secret," then this is Tony's last... well, he doesn't know what to call it. But he doesn't want it lying unresolved between them anymore.
Wherever they go from here, Tony wants all the cards on the table.
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And he's not sure how he's going to deal with it. Tony has that stubborn set to his jaw that means that he's not going to budge on this issue.
That begs the question, of course, of what in the hell he wants Gene to do or say about it. His fate back home hasn't been weighing on his mind overmuch because he'd outright refused to think about it, aside from their year trapped in the Dreaming. The prospects for his future are few and dim, and he's happier here in Keeliai.
But...
"Then I'll do it too," he says, surprising even himself. "Then one way or the other, we'll know for sure what becomes of us." And what might become of us, he thinks. "I faced my punishment here; I'll face it there, too."
He wants to prove he's changed, he wants to prove he's trying. And facing the music is the only way he can think of that might serve.
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"You don't have to. You don't have to... do it for me. I don't..." He frowns. He hadn't meant for this to be a punishment for Gene, though... now that Gene's said it, he can see why he'd feel that way.
He sighs. "I've wanted to to this for a while. I was coming to talk to you about it anyway. It doesn't have anything to do with... Bakura." His frown deepens. "But I need to do it. Before I can..." Figure out what to do. Figure out what this means for us. He shakes his head. "I want to know."
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this icon is seeing a lot of use lately and i love it
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/slams face into IHOP while tagging
omg I want ihop hdu
it was free pancake day
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that was such a good episode tho
yes that's why i referenced it
my fave
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February 7, evening
He allowed himself the remainder of the awful day - and only the remainder - to wallow in his depression and his anger. He'd fallen asleep sitting up at the table, unwilling to sleep in the bed that they had shared; he had a mild superstition that it might doom the pair of them once and for all, that his presence in the bed alone might sully their relationship beyond repair.
The next morning, he still felt like hot garbage, but he carefully tamped down all of his remaining emotions and locked them away, because he had work to do.
He'd been lobbying the family heads - except for Zanru. He'd kept well away from Stark Industries and the Metal Sector in general. He didn't want to see Tony, and he didn't want Tony to see him and get the wrong idea about why he was there.
It hurt too much, if he let himself think about it. So he didn't, and continued attempting to draft a solution for what to do with the Palace. The fact that he missed meals and didn't see much of a need to sleep until his body forced him to was entirely irrelevant.
And it is like this that Tony will find him when he finally returns - seemingly very busy and engrossed in his papers, but looking tired and haunted for all that.
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"Hey."
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Really, part of him hadn't expected to see Tony come back at all.
"...hey," he says, a little wary, uncertain if Tony's properly back or if he's just going to leave again.
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"...Sorry for ditching you like that. Um... I'm back, now."
Thank you, Captain Obvious.
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"Okay," he says. "I'm...glad you're back."
Well, it's not a lie.
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He moves to the table and sits down. "And I'm sorry I made you go home. We should have talked about it first. I shouldn't have... it was the wrong time to do it."
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"I figured I owed you that much."
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Tony looks down. "I don't want you to punish yourself for me. I was mad at you, but that doesn't mean I want to hurt you."
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That isn't sarcasm - he's genuinely asking. Even with Skul's tutelage, he's never learned the right way to deal with anger...or what exactly anger is.
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He lets out a slow, heavy breath. "And... I think you've proved that. What you did, you did before I got here. It was still a really awful thing to do, but you weren't breaking any of the promises you made to me. Mostly I'm mad that you didn't tell me sooner." Tony pauses here, trying to find the right words.
"...But you did tell me. And that's... that's what's important. I'm glad I heard about it from you and not someone else. That's how I know you really do want to get better. That's why I still trust you, even if I am kind of pissed at you."
His voice drops almost to a whisper. "What I said in the Dreaming— I haven't changed my mind. I want to be here for you."
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He lets out a heavy sigh. "I should have told you before. I was being a coward, like I'd said. I..." His voice breaks, and he swallows hard. "You shouldn't trust me. I haven't earned that back, I haven't earned the right to be trusted. What I did was wrong, and I hurt you."
When Tony says that he still intends to hold to what he'd said in the Dreaming, there's a lump in Gene's throat, and he turns his head away slightly, looking down so Tony won't be able to see the tears pricking at his eyes. "But I just keep hurting you," he says lamely.
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"I was angry because you kept a secret from me, and that's what I was afraid of: that you'd lie to me again. But if you didn't tell me because you were afraid I'd hate you... I think that means I might be doing something wrong, too. I don't want you to be afraid to tell me things because you think that I'll leave you if you ever make a mistake. Getting upset about something doesn't mean I hate you. I want to help you. I don't want to just be the— the person who punishes you when you mess up."
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